Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric BooksUniversity of Delaware Press, 1996 - 377 pages As people turned increasingly to the written and printed word for instruction and inspiration, they spoke of their lives in language generated by the print shop, library, and study. Conceiving of their experience in terms of writing and printing, they employed metaphoric books when they envisioned abstractions. They spoke, for example, of the books of conscience, nature, and fate. Such metaphors allowed people to organize conceptually the diversity and unruliness' of everyday life. Metaphoric books are the focus of this study's final section. Particular attention is given to the book of conscience in Thomas Heywood's A Woman Killed with Kindness and George Chapman's Bussy D'Ambois; the book of nature in Shakespeare's As You Like It and Pericles; and the book of fate in Thomas Kyd's The Spanish Tragedy and John Webster's The Duchess of Malfi. |
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action Anne appear asks audience becomes Bible Bussy called Cambridge century characters Christian concern conscience contains course culture death divine Drama edition effect Elizabethan England English Erasmus especially example experience expression face Faustus feel figurative Friar give hand hath heart Henry Hieronimo History human important instance interpretation John kind king knowledge language later learning less letter Library lines London look Luther materials means metaphor mind moral nature never notes observes pastoral Pericles person play present printed prove reader reason recorded reference Reformation relationship Renaissance represents Revels Richard says scene Scripture seems sense Shakespeare Sibyls signs speaks speech spirit stage suggests symbolic tells things Thomas thou thought tion Tragedy trans translation turn University Press vols woman writing written word wrote York