Criticism: The Foundations of Modern Literary JudgmentHarcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 202
... Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5. Of their constituent parts some are com- mon to both , some peculiar ...
... Epic action has no limits of time . This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5. Of their constituent parts some are com- mon to both , some peculiar ...
Стр. 214
... Epic poetry must have as many kinds as Tragedy : it must be simple , or complex , or " ethical , " or " pathetic . " The parts also , with the exception of song and spectacle , are the same ; for it requires Reversals of the Situation ...
... Epic poetry must have as many kinds as Tragedy : it must be simple , or complex , or " ethical , " or " pathetic . " The parts also , with the exception of song and spectacle , are the same ; for it requires Reversals of the Situation ...
Стр. 217
... Epic in the same relation as the younger to the elder actors . So we are told that Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . 3. Being then unrefined , it is evidently ...
... Epic in the same relation as the younger to the elder actors . So we are told that Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . 3. Being then unrefined , it is evidently ...
Содержание
J The Poet in the Republic 1 | 1 |
ง On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appears Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth unity verse whole words writing