Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 100
... distinguished from those formerly handled , as depend- · ing on a different principle . Giddy brink , jovial wine , daring wound , are examples of this figure . Here are expreffions that cer- tainly import not the ordinary relation of ...
... distinguished from those formerly handled , as depend- · ing on a different principle . Giddy brink , jovial wine , daring wound , are examples of this figure . Here are expreffions that cer- tainly import not the ordinary relation of ...
Page 219
... distinguished ; but are susceptible of so much variety , and take on fo many dif ferent forms , that we never can fay where one fpecies ends- and another begins . As to the general tafte , there is little reafon to doubt , that a work ...
... distinguished ; but are susceptible of so much variety , and take on fo many dif ferent forms , that we never can fay where one fpecies ends- and another begins . As to the general tafte , there is little reafon to doubt , that a work ...
Page 261
... with defcribing those circumftances which move the distinguished perfon to form a plan , in * Poct . cap 6. See also cap . 7 . order order to compaís fome defired event . The prosecution of Ch . XXIII . THE THREE UNITIES . 261.
... with defcribing those circumftances which move the distinguished perfon to form a plan , in * Poct . cap 6. See also cap . 7 . order order to compaís fome defired event . The prosecution of Ch . XXIII . THE THREE UNITIES . 261.
Page 363
... distinguished into different claffes ; and are thereby qualified for different a- musements : variety of tafte , fo far , is no obftruction to the general connection . But with refpect to the more capital pleasures , fuch as are best ...
... distinguished into different claffes ; and are thereby qualified for different a- musements : variety of tafte , fo far , is no obftruction to the general connection . But with refpect to the more capital pleasures , fuch as are best ...
Page 376
... distinguished from both the internal and external fenfes . 4. By fight we perceive the qualities of figure , colour , motion , & c .: by the ear we perceive the qualities high , low , loud , foft by touch we perceive rough , smooth ...
... distinguished from both the internal and external fenfes . 4. By fight we perceive the qualities of figure , colour , motion , & c .: by the ear we perceive the qualities high , low , loud , foft by touch we perceive rough , smooth ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
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