Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 153
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
... James's in- quisitive observers who never take part in the action are presented as most superior people . James confessed to being this sort of person himself . Ambiguity was certainly growing on James . It was to pass all bounds in ...
Стр. 154
... James's estimate of him usually differs from Flaubert's if you com- pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
... James's estimate of him usually differs from Flaubert's if you com- pare certain kinds of scenes which tend to recur in Henry James with scenes in " L'Education Sentimentale " from which James has evidently imitated them : those ...
Стр. 160
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
... James is a reporter , not a prophet . With less political philosophy even than Flau- bert , he can only chronicle the world as it passes , and in his picture the elements are mixed . In the Americans of Henry James's later novels -the ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write