Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 97
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . 2 It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
... artist and classicism with society ; classicism being the political concept of art to which the artist is expected to conform . 2 It may be as well to forestall at once the criticism that on this showing the artist is merely the ...
Стр. 177
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
... artist and the neurotic Freud is , of course , aware ; he tells us that the artist is not like the neurotic in that he knows how to find a way back from the world of imagination and " once more get a firm foothold in reality . " This ...
Стр. 308
... artist of the need of seeing life steadily and seeing it whole . He will pre- 49 In the essay on Thomas Mann and André Gide , pages 116 and following . 50 Counterstatement , the chapter called Lexicon Rhe- toricae , page 231 . sumably ...
... artist of the need of seeing life steadily and seeing it whole . He will pre- 49 In the essay on Thomas Mann and André Gide , pages 116 and following . 50 Counterstatement , the chapter called Lexicon Rhe- toricae , page 231 . sumably ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write