Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 54
... cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant perceives that in point of fact English Fiction has ad- dressed ...
... cause for congratulation . " It is a great cause for congratulation indeed when such thorny problems become as smooth as silk . I may add that in so far as Mr. Besant perceives that in point of fact English Fiction has ad- dressed ...
Стр. 176
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to dis- cover , by gradual steps , what this real cause is and so free ...
... cause for the fear , though it has nothing at all to do with what is or is not in the street ; the cause is within the patient and the process of the therapy will be to dis- cover , by gradual steps , what this real cause is and so free ...
Стр. 280
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
... cause and effect , and the final sense ( if the plot has been a fine one ) will not be of clues or chains , but of something aesthetically compact , something which might have been shown by the novelist straight away , only if he had ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write