Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 273
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
... drama , and has implied that we know more about that than Dryden , or Aristotle , or the Greek dramatists themselves . I say that the consummation of the drama , the perfect and ideal drama , is to be found in the ceremony of the Mass ...
Стр. 274
... dramatic ? Shakespeare was a great dramatist and a great poet . But if you isolate poetry from drama completely , have you the right to say that Shakespeare was a greater dramatist than Ibsen , or than Shaw ? Shaw is right about ...
... dramatic ? Shakespeare was a great dramatist and a great poet . But if you isolate poetry from drama completely , have you the right to say that Shakespeare was a greater dramatist than Ibsen , or than Shaw ? Shaw is right about ...
Стр. 275
... drama , but especially B. Just as Archer made a mechanical separation , so B makes a mechanical reunion . Let us make it clearer by putting it about the other way , and taking up a point that B let slip . If drama tends to poetic drama ...
... drama , but especially B. Just as Archer made a mechanical separation , so B makes a mechanical reunion . Let us make it clearer by putting it about the other way , and taking up a point that B let slip . If drama tends to poetic drama ...
Содержание
The Poet in the Republic | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important interest James kind language least less literature living look Marxism matter means merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reality reason relation represent scene seems sense social society speak spirit story tell theory things thought tion tragedy tragic true truth turn understand universal verse whole write young