Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 374
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' that is , if we could expel all the talk about the ...
... effect would be more powerful if we could somehow manage to feel the images fully and accurately without having the effect diluted by any words put in to give us a ' meaning ' that is , if we could expel all the talk about the ...
Стр. 376
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
... effect , or it may mean , though they do participate in the poetic effect , they need not appear in the poem in an explicit and argued form . And this second reading would scarcely be a doctrine of pure poetry at all , for it would ...
Стр. 471
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
... effect for which I never could account . The effect was that it reflected back upon the murderer a peculiar awfulness and a depth of solemnity ; yet , however obstinately I endeavored with my understanding to compre- hend this , for ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write