Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 400
... example , elliptically concealed in the more ob- vious narrative outlines . " I can bring you , " writes Mr. Max Eastman , " examples of diction that is metrical but not metaphoric - a great part of the popular ballads , for example and ...
... example , elliptically concealed in the more ob- vious narrative outlines . " I can bring you , " writes Mr. Max Eastman , " examples of diction that is metrical but not metaphoric - a great part of the popular ballads , for example and ...
Стр. 415
... example , hath as much force to teach , as a true example : ( for as for to moove , it is cleere , sith the fayned may bee tuned to the highest key of passion ) let us take one example , wherein a Poet and a Historian doe concur ...
... example , hath as much force to teach , as a true example : ( for as for to moove , it is cleere , sith the fayned may bee tuned to the highest key of passion ) let us take one example , wherein a Poet and a Historian doe concur ...
Стр. 427
... examples justified : and at this day , the ordinary Players in Italie , wil not erre in . Yet wil some bring in an example of Eunuchus in Terence , that containeth matter of two dayes , yet far short of twenty yeeres . True it is , and ...
... examples justified : and at this day , the ordinary Players in Italie , wil not erre in . Yet wil some bring in an example of Eunuchus in Terence , that containeth matter of two dayes , yet far short of twenty yeeres . True it is , and ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write