Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 82
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
... fact that no amount of rhetorical bombast could conceal the fact that grandeur was not to be counterfeited when the belief in its possibility was dead , and turning from the hero to the common man , we inaugurated the era of realism ...
Стр. 399
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Pro- fessor Wilson has argued that at Gadshill Fal- staff may exhibit " all the common symptoms of the malady ' of cowardice " and at the same ...
... fact that Morgann could devote a book to arguing that Falstaff is not a coward , that lately Pro- fessor Wilson has argued that at Gadshill Fal- staff may exhibit " all the common symptoms of the malady ' of cowardice " and at the same ...
Стр. 489
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything ; the rest is a world of illusion , of divine illusion . Poetry attaches its emotion to ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write