Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 63
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
... interest is in personalities . Let us take it first , then , to lie between Macbeth and the persons opposing him ... interest in Macbeth may be called interest in a personality ; but it is not an interest in some bare form of self ...
Стр. 508
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
... interest or group of interests swinging back to rest . To understand what an interest is we should picture the mind as a system of very delicately poised balances , a system which so long as we are in health is constantly growing ...
Стр. 509
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
... interests develop ; sex is the outstanding example . His needs in- crease , he becomes capable of being upset by quite new ... interest is reacting through that means , and all the rest of the experience is equally but more evidently our ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write