Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 11
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when falling under the power of music and metre they are inspired and possessed ; like Bacchic maidens who draw milk and honey ...
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when falling under the power of music and metre they are inspired and possessed ; like Bacchic maidens who draw milk and honey ...
Стр. 180
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetry- making organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetry- making organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
Стр. 511
... mind , is the source and the sanction of the words . They represent this experience it- self , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
... mind , is the source and the sanction of the words . They represent this experience it- self , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write