Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 180
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetrymaking organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetrymaking organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
Стр. 345
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
Стр. 511
... mind , is the source and the sanction of the words . They represent this experience itself , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
... mind , is the source and the sanction of the words . They represent this experience itself , not any set of perceptions or reflections , though often to a reader who approaches the poem wrongly they will seem to be only a series of ...
Содержание
The Poet in the Republic | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important interest James kind language least less literature living look Marxism matter means merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reality reason relation represent scene seems sense social society speak spirit story tell theory things thought tion tragedy tragic true truth turn understand universal verse whole write young