Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 42
... passion excited by real events ; they wrote naturally , and as men : feeling power- fully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
... passion excited by real events ; they wrote naturally , and as men : feeling power- fully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
Стр. 228
... passion in an audience : leaving love untouched , whose gentleness would have tempered them , which is the most frequent of all the passions , and which , being the private concernment of every person , is soothed by viewing its own ...
... passion in an audience : leaving love untouched , whose gentleness would have tempered them , which is the most frequent of all the passions , and which , being the private concernment of every person , is soothed by viewing its own ...
Стр. 255
... passion ; or by associated thoughts or images awakened by that passion ; or when they have the effect of reducing multitude to unity , or succession to an instant ; or lastly , when a human and intellectual life is transferred to them ...
... passion ; or by associated thoughts or images awakened by that passion ; or when they have the effect of reducing multitude to unity , or succession to an instant ; or lastly , when a human and intellectual life is transferred to them ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write