Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 38
... passion , but such as the concurring testimony of ages has shown to heighten and improve the pleasure which co ... passion by an inter - texture of ordinary feeling , and of feeling not strictly and necessarily connected with the passion ...
... passion , but such as the concurring testimony of ages has shown to heighten and improve the pleasure which co ... passion by an inter - texture of ordinary feeling , and of feeling not strictly and necessarily connected with the passion ...
Стр. 42
... passion excited by real events ; they wrote naturally , and as men : feeling powerfully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
... passion excited by real events ; they wrote naturally , and as men : feeling powerfully as they did , their language was daring , and figurative . In succeeding times , Poets , and Men ambitious of the fame of Poets , perceiving the ...
Стр. 228
... passion in Shakspeare , or in Fletcher : for love - scenes , you will find few among them ; their tragic poets dealt not with that soft passion , but with lust , cruelty , revenge , ambition , and those bloody actions they produced ...
... passion in Shakspeare , or in Fletcher : for love - scenes , you will find few among them ; their tragic poets dealt not with that soft passion , but with lust , cruelty , revenge , ambition , and those bloody actions they produced ...
Содержание
The Poet in the Republic | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important interest James kind language least less literature living look Marxism matter means merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reality reason relation represent scene seems sense social society speak spirit story tell theory things thought tion tragedy tragic true truth turn understand universal verse whole write young