Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 36
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
... pleasure , by which he knows , and feels , and lives , and moves . We have no sympathy but what is propagated by pleasure : I would not be misunderstood ; but wherever we sympathize with pain , it will be found that the sympathy is ...
Стр. 38
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
... pleasure which co - exists with it . It will now be proper to answer an obvious question , namely , Why , professing these opin- ions , have I written in verse ? To this , in addi- tion to such answer as is included in what has been ...
Стр. 39
... pleasure — an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . On the other hand ( what ...
... pleasure — an effect which , in a much greater degree than might at first be imagined , is to be ascribed to small , but con- tinual and regular impulses of pleasurable sur- prise from the metrical arrangement . On the other hand ( what ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write