Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 204
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other- wise it would not have happened . 7. Still there are some tragedies in which there are only ...
... possible is credible : what has not happened we do not at once feel sure to be possible : but what has happened is manifestly possible : other- wise it would not have happened . 7. Still there are some tragedies in which there are only ...
Стр. 356
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
... possible the presentation of aspects of personality and of states of mind which were not possible in fiction utilizing other techniques and other conventions . That we are what we are in virtue of what we have been is an obvious ...
Стр. 512
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible de- gree of freedom.3 It is in this respect that people differ most from one another . It is this ...
... possible . In other words , the experience must be organized so as to give all the impulses of which it is composed the greatest possible de- gree of freedom.3 It is in this respect that people differ most from one another . It is this ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write