Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 136
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
... question . Among all the elements which go to make a work of art it is , however , only the economic movement which asserts it- self as finally necessary , for what Marx and Engels considered to be true of historical changes they also ...
Стр. 272
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
... question is , whom does the drama amuse ? and what is the quality of the amusement ? C : I should not for my part admit that any of these people are concerned to amuse . There is no such thing as mere amusement . They are concerned with ...
Стр. 374
... question of the accuracy of Mr. Pottle's description of the impulse of Elliptical Poetry and present the question which ultimately concerns him . How pure does poetry need to be in practice ? That is the question which Mr. Pottle asks ...
... question of the accuracy of Mr. Pottle's description of the impulse of Elliptical Poetry and present the question which ultimately concerns him . How pure does poetry need to be in practice ? That is the question which Mr. Pottle asks ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write