Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 385
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel - must be recon- structed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Стр. 387
... reader ; and its form is controlled by the method that the narrator has outlined in its concluding pages . The reader , in other words , was substituted for the narrator , and was placed by the author throughout the book in the same ...
... reader ; and its form is controlled by the method that the narrator has outlined in its concluding pages . The reader , in other words , was substituted for the narrator , and was placed by the author throughout the book in the same ...
Стр. 525
... reader's mind , so that what happens appears to be more of the reader's doing than the poet's . The button is pressed , and then the author's work is done , for immediately the record starts playing in quasi- ( or total ) independence ...
... reader's mind , so that what happens appears to be more of the reader's doing than the poet's . The button is pressed , and then the author's work is done , for immediately the record starts playing in quasi- ( or total ) independence ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write