Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 348
... sense ( " the wanton stings and motions of the ' s ' " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually dependent ) and suggests that soul and body are a healthy ...
... sense ( " the wanton stings and motions of the ' s ' " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually dependent ) and suggests that soul and body are a healthy ...
Стр. 510
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
Стр. 528
... sense . The feeling of " sprawling " here is a mixture of good - humoured mockery and affected commiseration . And this feeling arises from the sense of the word only through the influence of the rest of the poem . It does not derive at ...
... sense . The feeling of " sprawling " here is a mixture of good - humoured mockery and affected commiseration . And this feeling arises from the sense of the word only through the influence of the rest of the poem . It does not derive at ...
Содержание
The Poet in the Republic | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action American appear artist beauty become beginning believe called cause character comes common complete consider course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important interest James kind language least less literature living look Marxism matter means merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reality reason relation represent scene seems sense social society speak spirit story tell theory things thought tion tragedy tragic true truth turn understand universal verse whole write young