Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 348
... sense ( " the wanton stings and mo- tions of the ' s ' " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
... sense ( " the wanton stings and mo- tions of the ' s ' " ) . That rich word confuses the pleasure and the knowledge given the senses ( Donne wants to imply they are mutually de- pendent ) and suggests that soul and body are in a healthy ...
Стр. 510
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
Стр. 528
... sense . The feeling of " sprawling " here is a mixture of good - humoured mockery and affected commiseration . And this feeling arises from the sense of the word only through the influence of the rest of the poem . It does not derive at ...
... sense . The feeling of " sprawling " here is a mixture of good - humoured mockery and affected commiseration . And this feeling arises from the sense of the word only through the influence of the rest of the poem . It does not derive at ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write