Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 131
... tion of content , as opposed to a mere movement of technique , now begins , corresponding in the social sphere to a change in productive relations as opposed to a mere improvement in produc- tive forces . As a result the social ...
... tion of content , as opposed to a mere movement of technique , now begins , corresponding in the social sphere to a change in productive relations as opposed to a mere improvement in produc- tive forces . As a result the social ...
Стр. 172
... tion of a just man , and it is for this reason that just men will always recognize the author as a master . Te HE FREUDIAN psychology is the only sys- tematic account of the human mind which , in point of subtlety and complexity , of ...
... tion of a just man , and it is for this reason that just men will always recognize the author as a master . Te HE FREUDIAN psychology is the only sys- tematic account of the human mind which , in point of subtlety and complexity , of ...
Стр. 277
... tion to the future . Let us begin by observing the several kinds of way in which contemporary drama fails . There are the plays written by poets who have no knowledge of the stage : this kind has been sufficiently abused . There are the ...
... tion to the future . Let us begin by observing the several kinds of way in which contemporary drama fails . There are the plays written by poets who have no knowledge of the stage : this kind has been sufficiently abused . There are the ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write