Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 56
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
Стр. 64
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
Стр. 206
... tragic imitation . It follows plainly , in the first place , that the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to ad- versity : for this moves neither pity nor fear ; it merely ...
... tragic imitation . It follows plainly , in the first place , that the change of fortune presented must not be the spectacle of a virtuous man brought from prosperity to ad- versity : for this moves neither pity nor fear ; it merely ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write