Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 137
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
... turn light up the social background . The novelist cannot write his story of the indi- vidual fate unless he also has this steady vision of the whole . He must understand how his final result arises from the individual conflicts of his ...
Стр. 150
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
... Turn of the Screw , " one wonders how one could ever have missed it . There is a very good reason , however , in the fact that nowhere does James unequivocally give the thing away : almost everything from beginning to end can be read ...
Стр. 431
... turn critics in their own defence : Each burns alike , who can , or cannot write , Or with a rival's , or an eunuch's spite . " An Essay on Criticism " was first published in 1711 , but it may have been composed as early as 1707 . + ...
... turn critics in their own defence : Each burns alike , who can , or cannot write , Or with a rival's , or an eunuch's spite . " An Essay on Criticism " was first published in 1711 , but it may have been composed as early as 1707 . + ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write