Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 122
... understand . Truly , truly , the past was a dream . But this is real ! To know from this that something must be done . That is real . We searched ; we were confused ! But we searched , and now the search is ended . For the truth has ...
... understand . Truly , truly , the past was a dream . But this is real ! To know from this that something must be done . That is real . We searched ; we were confused ! But we searched , and now the search is ended . For the truth has ...
Стр. 135
... understand also the past history of France and the relation of classes in that country before the Revolution , one must understand the course of the Revolution itself and the changes in class relationships which the Revolution brought ...
... understand also the past history of France and the relation of classes in that country before the Revolution , one must understand the course of the Revolution itself and the changes in class relationships which the Revolution brought ...
Стр. 471
... understanding to comprehend this , for many years I never could see why it should produce such an effect . Here I pause for one moment to exhort the reader never to pay any attention to his understanding when it stands in opposition to ...
... understanding to comprehend this , for many years I never could see why it should produce such an effect . Here I pause for one moment to exhort the reader never to pay any attention to his understanding when it stands in opposition to ...
Содержание
The Poet in the Republic | 3 |
EDWARD YOUNG | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action American appear artist beauty become beginning believe called cause character comes common complete consider course criticism drama effect elements English example existence experience expression fact feeling forces genius give given greater hand human idea imagination imitation important interest James kind language least less literature living look Marxism matter means merely mind moral nature never novel object observed once original particular passion perhaps persons play pleasure poem poet poetic poetry possible present produced question reader reality reason relation represent scene seems sense social society speak spirit story tell theory things thought tion tragedy tragic true truth turn understand universal verse whole write young