Criticism: The Foundations of Modern Literary JudgmentMark Schorer, Josephine Miles, Gordon McKenzie Harcourt, Brace, 1948 - Всего страниц: 553 |
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Стр. 204
... whole , the structural union of the and parts being such that , if any one of them is dis- whole placed or removed , the whole will be disjointed . and disturbed . For a thing whose presence or absence makes no visible difference , is ...
... whole , the structural union of the and parts being such that , if any one of them is dis- whole placed or removed , the whole will be disjointed . and disturbed . For a thing whose presence or absence makes no visible difference , is ...
Стр. 210
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
... whole story of the Fall of Troy , instead of selecting portions , like Euripides ; or who have taken the whole tale of Niobe , and not a part of her story , like Aeschylus , either fail utterly or meet with poor success on the stage ...
Стр. 252
... whole attention of the reader to itself , becomes dis- joined from its context , and forms a separate whole , instead of a harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly ...
... whole attention of the reader to itself , becomes dis- joined from its context , and forms a separate whole , instead of a harmonizing part ; and on the other hand , to an unsustained composition , from which the reader collects rapidly ...
Содержание
EDWARD YOUNG Conjectures on Original Composition | 12 |
WILLIAM WORDSWORTH Observations Prefixed to Lyrical Ballads | 30 |
HENRY JAMES The Art of Fiction | 44 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration American ancient appear Aristotle artist beauty bourgeois called character comedy composition conscious criticism divine drama dream Du Bartas Edith Wharton effect elements emotion English Epic poetry evil example expression Exultet fact feeling felix culpa fiction Freud genius give Hegel Henry James hero Homer human I. A. Richards idea imagination imitation interest James's kind language less literary literature Marxism mean ment merely metaphor metre Milton mind modern moral nature never novel novelist object paradox passion perhaps persons philosophical play pleasure plot poem poet poetic poetry present produced prose reader reality reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare social society Sophocles soul speak spirit stanza story Surrealism Surrealists T. S. Eliot theory things thought tion tragedy tragic true truth ture verse whole words write