Patterns in Shakespearian TragedyMethuen, 1960 - Всего страниц: 205 |
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Стр. 47
... Come , gentlemen , let's all go visit him : Pray God we may make haste , and come too late ! ( I.iv.59-64 ) In Gaunt's death scene ( II.i ) all the sins of Richard ... comes to the audience not as King John , Richard II , Julius Caesar 47.
... Come , gentlemen , let's all go visit him : Pray God we may make haste , and come too late ! ( I.iv.59-64 ) In Gaunt's death scene ( II.i ) all the sins of Richard ... comes to the audience not as King John , Richard II , Julius Caesar 47.
Стр. 81
... come ; if it be not to come , it will be now ; if it be not now , yet it will come : the readiness is all : since no man has aught of what he leaves , what is't to leave betimes ? Let be . ( V.ii.230-5 ) This is the answer to which ...
... come ; if it be not to come , it will be now ; if it be not now , yet it will come : the readiness is all : since no man has aught of what he leaves , what is't to leave betimes ? Let be . ( V.ii.230-5 ) This is the answer to which ...
Стр. 118
... come to know himself ; this he does in the purifying agony of the storm . The first two acts emphasize Lear's initial ... comes in his madness to acknowledge his own responsbiility for the evil of his daughters : ' Judicious pun- ishment ...
... come to know himself ; this he does in the purifying agony of the storm . The first two acts emphasize Lear's initial ... comes in his madness to acknowledge his own responsbiility for the evil of his daughters : ' Judicious pun- ishment ...
Содержание
Introduction | 1 |
Titus Andronicus Richard III Romeo and Juliet | 14 |
King John Richard II Julius Caesar | 36 |
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Часто встречающиеся слова и выражения
accept action affirms Alcibiades Antony and Cleopatra Antony's Athens attain audience Aufidius Banquo beast Bolingbroke Brutus Cassius cause character Christian Claudius Cordelia Coriolanus corruption damnation death delusion deny Desdemona destroy destruction divine Dover Wilson dramatic E. M. W. Tillyard Edgar Elizabethan emphasize England father Faulconbridge feeling final folly fool force of evil ghost Gloucester God's harmonious order Hamlet hath honour human Iago Iago's implicit Julius Caesar justice King John King Lear Laertes Lear's learned lust Macbeth madness man's medieval moral order murder nature Octavius Ophelia Othello passion pattern play Plutarch political pride reason redemption reflects regeneration rejection Renaissance revenge Richard Richard III Roman Rome Romeo and Juliet salvation scene Senecan Shake Shakespeare Shakespearian Tragedy sins soul speare speare's speech spite suffering symbol thee thematic theme thou Timon Titus Andronicus tradition tragic hero universe unnatural victory virtue Volumnia Wilson Knight wrong moral choice