Hand-book for Young PaintersJohn Murray, 1870 - 315 pages |
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Page i
... is the only way to imitate without loss of originality .'- COLERIDGE , Biographia Literaria . SECOND EDITION , WITH ILLUSTRATIONS LONDON JOHN MURRAY , ALBEMARLE STREET 1870 HARVARD COLLEGE LIBRARY 1877 Ines . 20 Aug. Sumner Fund.
... is the only way to imitate without loss of originality .'- COLERIDGE , Biographia Literaria . SECOND EDITION , WITH ILLUSTRATIONS LONDON JOHN MURRAY , ALBEMARLE STREET 1870 HARVARD COLLEGE LIBRARY 1877 Ines . 20 Aug. Sumner Fund.
Page vi
... to my professional brethren , to whom , above all others , it is important that such an institution as a National Gallery should be properly managed . December 1854 . C. R. L. CONTENTS . SECTION I. ON THE IMITATION OF NATURE , vi PREFACE .
... to my professional brethren , to whom , above all others , it is important that such an institution as a National Gallery should be properly managed . December 1854 . C. R. L. CONTENTS . SECTION I. ON THE IMITATION OF NATURE , vi PREFACE .
Page vii
... Imitation defined by Coleridge - Painting not an invention - Error in the reasoning of Lessing - Tableaux vivants - Inferi- ority of Gerard Dow to Terburg , Metsu , or Jan Steen -Style - Manner - Mediaval Art - Chinese Art- Sameness not ...
... Imitation defined by Coleridge - Painting not an invention - Error in the reasoning of Lessing - Tableaux vivants - Inferi- ority of Gerard Dow to Terburg , Metsu , or Jan Steen -Style - Manner - Mediaval Art - Chinese Art- Sameness not ...
Page x
... Imitations by Raphael and M. Angelo of some of the Conceptions in the Campo Santo - Orcagna's " Triumph of Death " -Early Art checked by the dread of Idolatry -The Typical System adopted by M. Angelo in the Sistine Chapel - Raphael's ...
... Imitations by Raphael and M. Angelo of some of the Conceptions in the Campo Santo - Orcagna's " Triumph of Death " -Early Art checked by the dread of Idolatry -The Typical System adopted by M. Angelo in the Sistine Chapel - Raphael's ...
Page xii
... Imitation of Raphael— Their aim in Colour the same - Solemnity of the tones of Titian , Tintoret , and sometimes of ... imitating the early Schools —Organisation — Entire Schools have coloured well , and entire Schools have coloured ...
... Imitation of Raphael— Their aim in Colour the same - Solemnity of the tones of Titian , Tintoret , and sometimes of ... imitating the early Schools —Organisation — Entire Schools have coloured well , and entire Schools have coloured ...
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Common terms and phrases
Academy acquainted admirable Albert Durer Alexander Cozens appear artists attitude beauty believe Cartoons character charm chiaroscuro Claude colour colourists composition considered Constable copies Correggio Cozens critics death defects degree difference display doubt draperies drawing Dutch early effect engraving entirely equal excellence expression exquisite face faults feel figure Flemish forms frescoes Fuseli Gainsborough genius Giorgione give grace greatest hand highest Hogarth imagination imitation impression instance Jan Steen John Cozens landscape Leonardo da Vinci less light and shadow lived look manner Masaccio master Michael Angelo mind National Gallery Nature never Nicolo Poussin noticed object painted painter Paul Veronese peculiar perfect Perugino picture placed poetic portrait Poussin principles Rake's Progress Raphael remarkable Rembrandt Reynolds Rubens scene sculpture seems seen shade Shakspeare Sir Joshua Sistine Chapel Stothard student style taste things tion Titian true truth Watteau Wilkie young painter
Popular passages
Page 257 - And instead of this, there is not a moment of any day of our lives, when nature is not producing scene after scene, picture after picture, glory after glory, and working still upon such exquisite and constant principles of the most perfect beauty, that it is quite certain it is all done for us, and intended for our perpetual pleasure.
Page 302 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand: His manners were gentle, complying, and bland; Still born to improve us in every part, His pencil our faces, his manners our heart...
Page 279 - I am certain, that whatever is to be truly great and affecting must have on it the strong stamp of the native land ; not a law this, but a necessity, from the intense hold on their country of the affections of all truly great men...
Page 259 - Certainly, if the sky is obtrusive, as mine are, it is bad; but if it is evaded, as mine are not, it is worse; it must and always shall with me make an effectual part of the composition. It will be difficult to name a class of landscape in which the sky is not the keynote, the standard of scale, and the chief organ of sentiment. You may conceive, then, what a 'white sheet' would do for me, impressed as I am with these notions, and they cannot be erroneous.
Page 45 - Shakespeare, whether life or nature be his subject, shows plainly that he has seen with his own eyes; he gives the image which he receives, not weakened or distorted by the intervention of any other mind ; the ignorant feel his representations to be just, and the learned s*e that they are complete.
Page 125 - ... distortion, both of attitude and physiognomy, than this effect occasioned: nor was there wantin'g beside it one of those beautiful female faces which the same Hogarth, in whom the satirist never extinguished that love of beauty which belonged to him as a poet, so often and so gladly introduces as the central figure in a crowd of humorous deformities...
Page 45 - Nor was his attention confined to the actions of men ; he was an exact surveyor of the inanimate world ; his descriptions have always some peculiarities, gathered by contemplating things as they really exist.
Page 258 - The noblest scenes of the earth can be seen and known but by few ; it is not intended that man should live always in the midst of them ; he injures them by his presence, he ceases to feel them if he be always with them : but the sky is for all ; bright as it is, it is not " Too bright, nor good, For human nature's daily food...
Page 45 - There are three distinct kinds of judges upon all new authors or productions ; the first are those who know no rules, but pronounce entirely from their natural taste and feelings; the second are those who know and judge by rules ; and the third are those who know, but are above the rules. These last are those you should wish to satisfy. Next to them rate the natural judges; but ever despise those opinions that are formed by the rules.
Page 144 - The wood cuts that illustrate his books of natural history may be studied with advantage by the most ambitious votary of the highest classes of art — filled as they are by the truest feeling for nature, and though often representing the most ordinary objects, yet never, in a single instance, degenerating into common-place. The charming vignettes that ornament these books abound in incidents from real life, diversified by genuine humour, as well as by the truest pathos...