The Gothick Novel: A CasebookVictor Sage Macmillan, 1990 - 190 pages Surveys the rise and development of the Gothick tale of mystery and horror, from the mid-18th Century to the eve of the Victorian period. Particular attention is given to Walpole's Castle of Otranto, Beckford's Vathek, Lewis's The monk, Ann Radcliffe's Mysteries of Udolpho and Mary Shelley's Frankenstein. |
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Page 33
... objects , or operates in a manner analogous to terror , is a source of the sublime ; that is , it is productive of the ... object which employs it . Hence arises the great power of the sublime , that far from being produced by them , it ...
... objects , or operates in a manner analogous to terror , is a source of the sublime ; that is , it is productive of the ... object which employs it . Hence arises the great power of the sublime , that far from being produced by them , it ...
Page 54
... object both to the author and reader . To describe its effect upon the mind of the human personages engaged in its wonders , and dragged along by its machinery , is comparatively an inferior object . The hero and heroine , partakers of ...
... object both to the author and reader . To describe its effect upon the mind of the human personages engaged in its wonders , and dragged along by its machinery , is comparatively an inferior object . The hero and heroine , partakers of ...
Page 95
... object of Protestant abomination it had become the object of philosophic disapproval ; or , rather , both emotions combined in the eighteenth century to make this theme an eminently lively one . The picaresque found room for it , 20 and ...
... object of Protestant abomination it had become the object of philosophic disapproval ; or , rather , both emotions combined in the eighteenth century to make this theme an eminently lively one . The picaresque found room for it , 20 and ...
Contents
General Editors Preface | 7 |
SAMUEL JOHNSON 1750 p 31 EdmMUND BURKE 1757 p 33 | 33 |
RICHARD HURD 1762 p 38 s t Coleridge 1797 p 39 | 39 |
Copyright | |
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Common terms and phrases
Abbey aesthetic Ambrosio André Breton Ann Radcliffe appeared artist beautiful Beckford become Bede called castle character convent critic dark death described dreams edition effect eighteenth century emotions England English extract fear feeling female fiction German Getae Getes ghost Gothic Fiction Gothic Romance Gothick novel Goths guilt heimlich Horrid Mysteries horror human idea images imagination Jordanes's Jutes Kent Lewis Lewis's liberty literary literature London Magazine Mary Shelley means melancholy Milton mind modern Monk monster moral murder Mysteries of Udolpho narrative nature Northanger Abbey novelist original Paradise Lost passions Percy perhaps pleasure poem poet poetry political Radcliffe Radcliffe's reader reading Review Sand-Man Satan Saxon Scandza Schedoni Scott secret seems sense sexual Shakespeare Shelley's SOURCE story style sublime supernatural superstition symbolic T. S. Eliot tale taste term Gothic terror theme things tradition translated uncanny Vathek Victor Frankenstein Walpole Walton William writing