The Cambridge Companion to ShakespeareMargreta de Grazia, Stanley Wells Cambridge University Press, 2001 M04 5 This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the stage in Shakespeare's time and the history of criticism and performance. In addition, authors engage with more recently defined topics: gender and sexuality, Shakespeare on film, the presence of foreigners in Shakespeare's England and his impact on other cultures. Helpful reference features include chronologies of the life and works, illustrations, detailed reading lists and a bibliographical essay. |
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... performance. In addition, authors engage withmore recently defined topics: gender and sexuality, Shakespeareon film, the presenceof foreigners inShakespeare's England, and his impact onother cultures. Helpful reference featuresinclude ...
... performance. In addition, authors engage withmore recently defined topics: gender and sexuality, Shakespeareon film, the presenceof foreigners inShakespeare's England, and his impact onother cultures. Helpful reference featuresinclude ...
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... performance,and to theincreasing internationalismof Shakespeare studies. In 1971 appeared A New Companion to Shakespeare Studies, edited by the Anglo American team of KennethMuir and S. Schoenbaum. Tenofthe contributorswere American ...
... performance,and to theincreasing internationalismof Shakespeare studies. In 1971 appeared A New Companion to Shakespeare Studies, edited by the Anglo American team of KennethMuir and S. Schoenbaum. Tenofthe contributorswere American ...
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... performance on both stage andfilm has become more globally oriented.And recent technologyhas transformed the way Shakespeare isnow being experienced bothonthe page and on thescreen.The basic materials appearinginthe 1986 volume ...
... performance on both stage andfilm has become more globally oriented.And recent technologyhas transformed the way Shakespeare isnow being experienced bothonthe page and on thescreen.The basic materials appearinginthe 1986 volume ...
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... performance of Twelfth Night at the Middle Temple 1 May 1602 Shakespeare pays £320 for land in Old Stratford 1603 Shakespeare named among the 'principal tragedians' in Jonson's Sejanus May 1603 Shakespearenamed in documents conferring ...
... performance of Twelfth Night at the Middle Temple 1 May 1602 Shakespeare pays £320 for land in Old Stratford 1603 Shakespeare named among the 'principal tragedians' in Jonson's Sejanus May 1603 Shakespearenamed in documents conferring ...
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... performance ofAllis True(Henry VIII) September 1614 Shakespeare involved inenclosure disputes inStratford 10 February 1616 Judith Shakespeare marries Thomas Quiney 25 March 1616Shakespeare'swill drawn up in Stratford 25 April 1616 ...
... performance ofAllis True(Henry VIII) September 1614 Shakespeare involved inenclosure disputes inStratford 10 February 1616 Judith Shakespeare marries Thomas Quiney 25 March 1616Shakespeare'swill drawn up in Stratford 25 April 1616 ...
Contents
LEONARD BARKAN 4 Shakespeare andthecraftof language | |
Shakespeares poems | |
The genresof Shakespearesplays SUSAN SNYDER | |
City and Court | |
Gender and sexualityin Shakespeare | |
Shakespeare and English history DAVID SCOTTKASTAN 12 Shakespeare in the theatre 16601900 | |
Shakespeare on the page and the stage | |
Shakespeare worldwide | |
Shakespeare criticism 16001900 | |
HUGH GRADY 18 Shakespeare criticismin the twentieth century | |
Index | |
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actors Adonis andthe asthe atthe audience authority Bibliography bythe Cambridge Companion Cambridge University Press Cambridge UniversityPress characters Chronicles Clarendon Press classical comedy contemporary Coriolanus Cressida criticism cultural Cymbeline drama dramatist early modern edited editors Elizabethan England English Essays example Falstaff film Folio fromthe gender Hamlet Heminges Henry history plays inthe John Jonson Juliet King Lear King’s language Latin literary London Lucrece Macbeth manuscript Merchant of Venice Midsummer Night’s Dream nation neoclassicism nineteenthcentury ofhis ofthe onthe Othello Oxford performance play’s playhouse playwright poems poet political printed production quartos Rape of Lucrece readers Renaissance rhetoric Richard Richard III romantic Routledge scene sexual Shakespeare’s plays Shakespeare’s texts Shakespearian Sonnets stage Stratford StratforduponAvon Tempest textual thatthe theatre theatrical thefirst theplay thetheatre Titus Andronicus tobe tothe tradition tragedy translation Troilus Troilus and Cressida twentieth century William Shakespeare Winter’s Tale withthe women words writing York