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Although this portrait is the work of a man who was neither the friend of Steele nor of any other man alive, yet there is a dreadful resemblance to the original in the savage and exaggerated traits of the caricature, and everybody who knows him must recognize Dick Steele. Dick set about almost all the undertakings of his life with inadequate means, and, as he took and furnished a house with the most generous intentions towards his friends, the most tender gallantry towards his wife, and with this only drawback, that he had not wherewithal to pay the rent when quarter-day came, - so, in his life he proposed to himself the most magnificent schemes of virtue, forbearance, public and private good, and the advancement of his own and the national religion; but when he had to pay for these articles

so difficult to purchase and so costly to maintain-poor Dick's money was not forthcoming: and when Virtue called with her little bill, Dick made a shuffling excuse that he could not see her that morning, having a headache from being tipsy over-night; or when stern Duty rapped at the door with his account, Dick was absent and not ready to pay. He was shirking at the tavern; or had some particular business (of somebody's else) at the ordinary: or he was in hiding, or worse than in hiding, in the lock-up house. What a situation for a man! for a philanthropist for a lover of right and truth for a magnificent designer and schemer! Not to dare to look in the face the Religion which he adored and which he had offended to have to shirk down back lanes and alleys, so as to avoid the friend whom he loved and who had trusted him ; to have the house which he had intended for his wife, whom he loved passionately, and for her ladyship's company which he wished to entertain splendidly, in the possession of a bailiff's man; with a crowd of little creditors, - grocers, butchers, and small-coal men lingering round the door with their bills and jeering at him. Alas! for poor Dick Steele! For nobody else, of course. There is no man or woman in our time who makes fine projects and gives them up from idleness or want of means. When Duty calls upon us, we no doubt are always at home and ready to pay that grim tax-gatherer. When we are stricken

should make a hole through the ceiling of his garret, and so bring him to the punishment he deserves. Some people think this expedient out of the way, and that he would make his escape upon hearing the least noise. I say so too; but it takes him up half an hour every night to fortify himself with his old hair trunk, two or three joint-stools, and some other lumber, which he ties together with cords so fast that it takes him up the same time in the morning to release himself."

with remorse and promise reform, we keep our promise, and are never angry, or idle, or extravagant any more. There are no chambers in our hearts, destined for family friends and affections, and now occupied by some Sin's emissary and bailiff in possession. There are no little sins, shabby peccadilloes, importunate remembrances, or disappointed holders of our promises to reform, hovering at our steps, or knocking at our door! Of course not. We are living in the nineteenth century; and poor Dick Steele stumbled and got up again, and got into jail and out again, and sinned and repented, and loved and suffered, and lived and died, scores of years ago. Peace be with him! Let us think gently of one who was so gentle : let us speak kindly of one whose own breast exuberated with human kindness.

PRIOR, GAY, AND

POPE.

MATTHEW PRIOR was one of those famous and lucky wits of the auspicious reign of Queen Anne, whose name it behoves us not to pass over. Mat was a world-philosopher of no small genius, good nature and acumen. He loved, he

* Gay calls him-"Dear Prior . . . . beloved by every muse."—Mr. Pope's Welcome from Greece.

Swift and Prior were very intimate, and he is frequently mentioned in the "Journal to Stella." "Mr. Prior," says Swift, "walks to make himself fat, and I to keep myself down. We often walk round the park

together."

In Swift's works there is a curious tract called "Remarks on the Characters of the Court of Queen Anne" [SCOTT's edition, vol. xii.] The "Remarks" are not by the Dean; but at the end of each is an addition in italics from his hand, and these are always characteristic. Thus, to the Duke of Marlborough, he adds, "Detestably covetous," &c. Prior is thus

noticed

"MATTHEW PRIOR, Esq., Commissioner of Trade.

"On the Queen's accession to the throne, he was continued in his office; is very well at court with the ministry, and is an entire creature of my Lord Jersey's, whom he supports by his advice; is one of the best poets in England, but very facetious in conversation. A thin, hollow-looked man, turned of forty years old. This is near the truth."

"Yet counting as far as to fifty his years,

His virtues and vices were as other men's are.

High hopes he conceived and he smothered great fears,
In a life party-colored-half pleasure, half care.

"Not to business a drudge, nor to faction a slave,
He strove to make interest and freedom agree;

In public employments industrious and grave,
And alone with his friends, Lord, how merry was he!

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drank, he sang. He describes himself, in one of his lyrics, "in a little Dutch chaise on a Saturday night; on his left hand, his Horace, and a friend on his right, going out of town from the Hague to pass that evening, and the ensuing Sunday, boozing at a Spielhaus with his companions, perhaps bobbing for perch in a Dutch canal, and noting down, in a strain and with a grace not unworthy of his Epicurean master the charms of his idleness, his retreat, and his Batavian Chloe. A vintner's son in Whitehall, and a distinguished pupil of Busby of the Rod, Prior attracted some notice by writing verses at St. John's College, Cambridge, and, coming up to town, aided Montague* in an attack on the noble old English lion John Dryden; in ridicule of whose work, "The Hind and the Panther," he brought out that remarkable and famous burlesque, "The Town and Country Mouse." Aren't you all acquainted with it? Have you not all got it by heart? What! have you never heard of it? See what fame is made of! The wonderful part of the satire was, that, as a natural consequence of "The Town and Country Mouse," Matthew Prior was made Secretary of Embassy at the Hague! I believe it is dancing, rather than singing, which distinguishes the young English diplomatists of the present day; and have seen them in various parts perform that part of their duty very finely. In Prior's time it appears a different accomplishment led to preferment. Could you write a copy of Alcaics? that was the question. Could you turn out a neat epigram or two? Could you compose "The Town and Country Mouse?" It is manifest that, by the possession of this faculty, the most difficult treaties, the laws of foreign nations, and the interests of our own, are easily understood. Prior rose in the diplomatic service, and said good things that proved his sense and his spirit. When the apartments at Versailles were shown to him, with the victories of Louis XIV. painted on the walls, and Prior was asked whether the palace of the King of England had any

"Now in equipage stately, now humble on foot,

Both fortunes he tried, but to neither would trust;
And whirled in the round as the wheel turned about,
He found riches had wings, and knew man was but dust."

PRIOR'S Poems. [For my own monument.]

"They joined to produce a parody, entitled 'The Town and Country Mouse,' part of which Mr. Bayes is supposed to gratify his old friends, Smart and Johnson, by repeating to them. The piece is therefore founded upon the twice-told jest of the Rehearsal.'. . . There is nothing new or original in the idea. In this piece, Prior, though the younger man, seems to have had by far the largest share."- Scorr's Dryden, vol. i. p. 330.

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