The Meaning of Shakespeare, Volume 1, Volume 1University of Chicago Press, 2009 M02 15 - 408 pages In two magnificent and authoritative volumes, Harold C. Goddard takes readers on a tour through the works of William Shakespeare, celebrating his incomparable plays and unsurpassed literary genius. |
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Page viii
... mean merely that all of Shakespeare de- serves to be considered . That goes without saying . I mean that his plays and poems deserve to be considered integrally , as chapters , so to speak , of a single work . And there again I do not ...
... mean merely that all of Shakespeare de- serves to be considered . That goes without saying . I mean that his plays and poems deserve to be considered integrally , as chapters , so to speak , of a single work . And there again I do not ...
Page ix
... mean to ours . Like the materialists of the nineteenth century , in focusing attention on where things come from they tend to forget where they are going . They tend to forget that poetry means creation , and creation is something that ...
... mean to ours . Like the materialists of the nineteenth century , in focusing attention on where things come from they tend to forget where they are going . They tend to forget that poetry means creation , and creation is something that ...
Page xi
... mean and perceive how profound is my debt to them . And no less profound , if less apparent or traceable , have been my obligations in this connection to other figures in world literature from Laotse and the Greek dramatists to Dante ...
... mean and perceive how profound is my debt to them . And no less profound , if less apparent or traceable , have been my obligations in this connection to other figures in world literature from Laotse and the Greek dramatists to Dante ...
Page 6
... mean that Bach intended to have his compositions played without nuances ? Positively no . The great Bach leaves that freedom to the performer ... " I recall a personal experience with the most outstanding contemporary composer , Jean ...
... mean that Bach intended to have his compositions played without nuances ? Positively no . The great Bach leaves that freedom to the performer ... " I recall a personal experience with the most outstanding contemporary composer , Jean ...
Page 11
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Contents
1 | |
II The Integrity of Shakespeare | 15 |
III The Comedy of Errors | 25 |
IV The Three Parts of Henry VI | 28 |
V Titus Andronicus | 33 |
VI Richard III | 35 |
VII The Two Gentlemen of Verona | 41 |
VIII Loves Labours Lost | 48 |
XIV King John | 140 |
XV Richard II | 148 |
XVI Henry IV Part 1 Henry IV Part II The Merry Wives of Windsor | 161 |
XVII Henry V | 215 |
XVIII Henry VIII | 269 |
XIX Much Ado about Nothing | 271 |
XX As You Like It | 281 |
XXI Twelfth Night | 294 |
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Common terms and phrases
Antonio Bassanio battle beginning blood Brutus called Capulet casket Cassius character Comedy Comedy of Errors comes cries critics crown dead death devil disguise doth dramatic Duke eyes fact Falstaff father fear fool genius Gentlemen of Verona Ghost give Hamlet hath heart heaven Henry Henry IV Henry VI Henry's hero honor Hotspur imagination Julius Caesar Justice kill King Lear King's Laertes lines lord lover Merchant of Venice Mercutio mercy metaphor Midsummer-Night's Dream mind moral mother murder nature never night peace play poet poetry Polonius Portia Prince revenge Richard Richard II Romeo and Juliet Rosalind says scene seems sense Shake Shakespeare Shylock soul speak speech spirit story sweet symbol tell theater theatrical thee theme things thou thought throne Touchstone tragedy true truth turns Twelfth Night Tybalt unconscious utter words youth