The plunderer came!-alas! no glory smiles For Congo's chief, on yonder Indian isles; For ever fall'n! no son of Nature now, With Freedom charter'd on his manly brow! Faint, bleeding, bound, he weeps the night away, And when the sea-wind wafts the dewless day, Starts, with a bursting heart, for evermore To curse the sun that lights their guilty shore! The shrill horn blew; at that alarum knell His guardian angel took a last farewell! That funeral dirge to darkness hath resign'd The fiery grandeur of a generous mind! Poor fetter'd man! I hear thee whispering low Unhallow'd vows to Guilt, the child of Woe! Friendless thy heart; and canst thou harbour there A wish but death-a passion but despair? The widow'd Indian, when her lord expires, Mounts the dread pile, and braves the funeral fires! So falls the heart at Thraldom's bitter sigh! So Virtue dies, the spouse of Liberty! But not to Libya's barren climes alone, To Chili, or the wild Siberian zone, Belong the wretched heart and haggard eye, How long your tribes have trembled and obey'd! Stunn'd with the cries of death each gentle gale, When Europe sought your subject realms to gain, But hark! as bow'd to earth the Bramin kneels, From heavenly climes propitious thunder peals! Of India's fate her guardian spirits tell, Prophetic murmurs breathing on the shell, And solemn sounds that awe the listening mind, "Foes of mankind! (her guardian spirits say,) Revolving ages bring the bitter day, 2 When heaven's unerring arm shall fall on you, END OF THE FIRST PART ANALYSIS.-PART II. APOSTROPHE to the power of Love-its intimate connexion with generous and social Sensibility-allusion to that beautiful passage in the beginning of the book of Genesis, which represents the happiness of Paradise itself incomplete, till love was superadded to its other blessings-the dreams of future felicity which a lively imagination is apt to cherish, when Hope is animated by refined attachment-this disposition to combine, in one imaginary scene of residence, all that is pleasing in our estimate of happiness, compared to the skill of the great artist who personified perfect beauty, in the picture of Venus, by an assemblage of the most beautiful features he could find-a summer and winter evening described, as they may be supposed to arise in the mind of one who wishes, with enthusiasm, for the union of friendship and retire ment. Hope and Imagination inseparable agents-even in those contemplative moments when our imagination wanders beyond the boundaries of this world, our minds are not unattended with an impression that we shall some day have a wider and more distinct prospect of the universe, instead of the partial glimpse we now enjoy. The last and most sublime influence of Hope is the concluding topic of the poem-the predominance of a belief in a future state over the terrors attendant on dissolution—the baneful influence of that sceptical philosophy which bars us from such comforts-allusion to the fate of a suicide-episode of Conrad and Ellenore-conclusion. IN joyous youth, what soul hath never known There be, perhaps, who barren hearts avow, Who that would ask a heart to dulness wed, The waveless calm, the slumber of the dead? No; the wild bliss of Nature needs alloy, And fear and sorrow fan the fire of joy! And say, without our hopes, without our fears, Without the home that plighted love endears, Without the smile from partial beauty won, Oh! what were man?-a world without a sun. |