The Quarterly Review, Volume 255William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir John Murray IV, William Smith, Rowland Edmund Prothero (Baron Ernle) John Murray, 1930 |
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Page 348
... Titian , in his ' Dialogo della Pittura , ' published in 1557 , represents Aretino as saying that Ariosto has shown very acute judgment in all parts of his poem except in this . ' I do not refer , ' he says , to his praise of Michel ...
... Titian , in his ' Dialogo della Pittura , ' published in 1557 , represents Aretino as saying that Ariosto has shown very acute judgment in all parts of his poem except in this . ' I do not refer , ' he says , to his praise of Michel ...
Page 349
... Titian , Mantegna , and Giovanni Bellini , we may express our thought tersely in the line of Arnold : ' Others abide our question , thou art free ! ' when we consider what the work of each stands for in the development of Italian art ...
... Titian , Mantegna , and Giovanni Bellini , we may express our thought tersely in the line of Arnold : ' Others abide our question , thou art free ! ' when we consider what the work of each stands for in the development of Italian art ...
Page 350
... Titian also worked , that the figures in it were so fine that he would well merit the name of an excellent painter for that work alone if he had never produced any other . Milanesi suggests that this passage owes its origin to Vasari's ...
... Titian also worked , that the figures in it were so fine that he would well merit the name of an excellent painter for that work alone if he had never produced any other . Milanesi suggests that this passage owes its origin to Vasari's ...
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