A Milton Handbook |
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Page 139
He perhaps derived it from Phineas Fletcher , who uses it commonly ( with frequent double rhyme , a practice abandoned by Milton after the first stanza ) in his Poetical Miscellanies and ...
He perhaps derived it from Phineas Fletcher , who uses it commonly ( with frequent double rhyme , a practice abandoned by Milton after the first stanza ) in his Poetical Miscellanies and ...
Page 285
Professor Parker , though he declines to call the divisions acts and prefers an analysis of structure based on the practice of the Greeks themselves , 16 recognizes that the play falls into " five distinct parts , each an artistic whole ...
Professor Parker , though he declines to call the divisions acts and prefers an analysis of structure based on the practice of the Greeks themselves , 16 recognizes that the play falls into " five distinct parts , each an artistic whole ...
Page 296
There is perhaps no practice here of which abundant examples could not ... Spenser , of course , uses archaisms much more persistently than Milton , with whom the practice is in part at least a survival of the Spenserian tradition in ...
There is perhaps no practice here of which abundant examples could not ... Spenser , of course , uses archaisms much more persistently than Milton , with whom the practice is in part at least a survival of the Spenserian tradition in ...
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Bibliographic information
| Title | A Milton Handbook |
| Author | James Holly Hanford |
| Edition | 4 |
| Publisher | F. S. Crofts & Company, 1946 |
| Original from | the University of Michigan |
| Digitized | 11 Mar 2008 |
| Length | 465 pages |
| Export Citation | BiBTeX EndNote RefMan |