When new desires had conquered thee, And changed the object of thy will, It had been lethargy in me, Not constancy, to love thee still. Yea, it had been a sin to go Since we are taught no prayers to say Yet do thou glory in thy choice, To love thee still, but go no more SIR ROBERT AYTON. THE ORIGIN OF THE HARP. 'T is believed that this harp which I wake now for thee Was a siren of old who sung under the sea; And who often at eve through the bright billow roved To meet on the green shorea youth whom she loved. But she loved him in vain, for he left her to weep, And in tears all the night her gold ringlets to steep, Till Heaven looked with pity on true love so warm, And changed to this soft harp the sea-maiden's form! Still her bosom rose fair - still her cheek smiled the same While her sea-beauties gracefully curled round the frame; And her hair, shedding tear-drops from all its bright rings, Fell over her white arm, to make the gold strings ! Hence it came that this soft harp so long hath been known To mingle love's language with sorrow's sad tone ; Till thou didst divide them, and teach the fond lay To be love when I'm near thee and grief when away! THOMAS MOORE ("Irish Melodies"). WHERE SHALL THE LOVER REST? WHERE shall the lover rest THE MOTHER'S LAST SONG. SLEEP! - The ghostly winds are blowing! We are going afar, To the land where the sinless angels are! I lost my heart to your heartless sire But now we 'll go And make us a bed where none shall know. The world is cruel, the world is untrue; Our foes are many, our friends are few; No work, no bread, however we sue ! What is there left for me to do, But fly, - fly From the cruel sky, And hide in the deepest deeps, - and die? BARRY CORNWALL. WALY, WALY, BUT LOVE BE BONNY. O, WALY, waly up the bank, I leaned my back unto an aik, I thought it was a trusty tree; O, waly, waly, but love be bonny, Now Arthur-Seat shall be my bed; 'T is not the frost that freezes fell, When we came in by Glasgow town, But had I wist, before I kissed, That love had been sae ill to win, 0, O, if my young babe were born, ANONYMOUS, LADY ANN BOTHWELL'S LAMENT. A SCOTTISH SONG. BALOW, my babe, ly stil and sleipe! Balow, my babe, ly stil and sleipe! When he began to court my luve, Balow, my babe, ly stil and sleipe! Ly stil, my darlinge, sleipe awhile, Balow, my babe, ly stil and sleipe! I cannae chuse, but ever will Balow, my babe, ly stil and sleipe! But doe not, doe not, prettie mine, Balow, my babe, ly stil and sleipe ! Bairne, sin thy cruel father is gane, Balow, my babe, ly stil and sleipe! Fareweil, fareweil, thou falsest youth I wish all maids be warned by mee, Balow, my babe, ly stil and sleipe ! ANONYMOUS. MY HEID IS LIKE TO REND, WILLIE. My heid is like to rend, Willie, O, lay your cheek to mine, Willie, It's vain to comfort me, Willie, I never sall see mair! I'm sittin' on your knee, Willie, Ay, press your hand upon my heart, O, wae 's me for the hour, Willie, O, wae 's me for the time, Willie, O, dinna mind my words, Willie, But O, it's hard to live, Willie, Het tears are hailin' ower your cheek, I'm weary o' this warld, Willie, And sick wi' a' I see, I canna live as I ha'e lived, Or be as I should be. But fauld unto your heart, Willie, And kiss ance mair the white, white cheek A stoun' gaes through my heid, Willie, O, haud me up and let me kiss BEREAVEMENT AND DEATH. RESIGNATION. But a fair maiden, in her Father's mansion, Clothed with celestial grace; THERE is no flock, however watched and tended, And beautiful with all the soul's expansion But one dead lamb is there! There is no fireside, howsoe'er defended, But has one vacant chair! The air is full of farewells to the dying, And mournings for the dead; The heart of Rachel, for her children crying, Will not be comforted! Let us be patient! These severe afflictions Not from the ground arise, But oftentimes celestial benedictions Assume this dark disguise. We see but dimly through the mists and vapors; Amid these earthly damps What seem to us but sad, funereal tapers May be heaven's distant lamps. There is no Death! What seems so is transition: This life of mortal breath Is but a suburb of the life elysian, Whose portal we call Death. She is not dead, - the child of our affection, But gone unto that school From eyes that drew half their light from him, Where she no longer needs our poor protection, And put low, low underneath the clay, And Christ himself doth rule. In that great cloister's stillness and seclusion, By guardian angels led, Safe from temptation, safe from sin's pollution, She lives whom we call dead. Day after day we think what she is doing In those bright realms of air; Year after year, her tender steps pursuing, Behold her grown more fair. Thus do we walk with her, and keep unbroken May reach her where she lives. Not as a child shall we again behold her; For when with raptures wild In our embraces we again enfold her, She will not be a child : In his spring, - on this spring day. Passes away, All the pride of boy-life begun, All the hope of life yet to run; Who dares to question when One saith "Nay." Murmur not, - only pray. Enters to-day Another body in churchyard sod, Another soul on the life in God. His Christ was buried - and lives alway: Trust Him, and go your way. DINAH MARIA MULOCK. UNVEIL THY BOSOM, FAITHFUL TOMB 176 POEMS OF THE AFFECTIONS. Nor pain, nor grief, nor anxious fear, Invade thy bounds; no mortal woes Can reach the peaceful sleeper here, While angels watch the soft repose. So Jesus slept; God's dying Son LINES TO THE MEMORY OF "ANNIE," WHO DIED AT MILAN, JUNE 6, 1860. "Jesus saith unto her, Woman, why weepest thou? whom seekest thou? She, supposing him to be the gardener, saith unto him, Sir, if thou have borne him hence, tell me where thou hast laid Passed through the grave, and blest the bed : him."- JOHN xx. 15. Rest here, blest saint, till from his throne The morning break, and pierce the shade. Break from his throne, illustrious morn; DR. ISAAC WATTS. GRIEF FOR THE DEAD. O HEARTS that never cease to yearn! The living are the only dead; The dead live, nevermore to die; And though they lie beneath the waves, Yet every grave gives up its dead Or why should Memory, veiled with gloom, 'T is but a mound, and will be mossed our tears! Nay, Hope may whisper with the dead By bending forward where they are; But Memory, with a backward tread, Communes with them afar. The joys we lose are but forecast, ANONYMOUS. In the fair gardens of celestial peace Fair are the flowers that wreathe his dewy locks, Fair are the silent foldings of his robes, Falling with saintly calmness to his feet; And when he walks, each floweret to his will With living pulse of sweet accord doth beat. Every green leaf thrills to its tender heart, And all our pleasant haunts of earthly love Are nurseries to those gardens of the air; And his far-darting eye, with starry beam, Watching the growing of his treasures there. We call them ours, o'erwept with selfish tears, O'erwatched with restless longings night and day; Forgetful of the high, mysterious right He holds to bear our cherished plants away. But when some sunny spot in those bright fields Where stood our tree, our flower, there is a grave! Dear friend, no more upon that lonely mound, Strewed with the red and yellow autumn leaf, Drop thou the tear, but raise the fainting eye Beyond the autumn mists of earthly grief. Thy garden rosebud bore within its breast Those mysteries of color, warm and bright, That the bleak climate of this lower sphere Could never waken into form and light. Yes, the sweet Gardener hath borne her hence, Nor must thou ask to take her thence away; Thou shalt behold her, in some coming hour, Full-blossomed in his fields of cloudless day. HARRIET BEECHER STOWE. |