| Henry James - 1913 - Страниц: 454
...little, that is again and again, a general sense of glory. The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression. The world there was at the same time, by an odd... | |
| Herbert Read, Sir Herbert Edward Read - 1928 - Страниц: 252
...little, that is again and again, a general sense of glory. The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression. The world there was at the same time, by an odd... | |
| United States. Congress. House. Committee on Appropriations - 1955 - Страниц: 582
...being, as another American, Henry Jumes, put it, is — not only beauty and art and supreme design, hut history and fame and power, the world in flue raised...democratic government in the Constitution, and the Bill of Eights, were not afraid to symbolize in song the message of the young Republic. Today, more than ever,... | |
| Henry James - 1969 - Страниц: 372
...mysteries of fifty sorts"; when they felt the "sense of glory" to offer "ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression," was to be subjected, when the demands of moral... | |
| Henry Hope Reed - 1971 - Страниц: 164
...general sense of glory. [The italics are those of James.] The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression." We should not be astonished at such an evocation... | |
| Carol Schreier Rupprecht - 1993 - Страниц: 352
...over to style," which inspires "a general sense of glory. The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power. The world in fine raised to the richest and noblest expression" (p. 196). James is of Hazlitt's persuasion: "art... | |
| Carol Holly - 1995 - Страниц: 244
...was there that he "inhaled little by little, that is again and again, a general sense of glory . . . not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression." But the Louvre was also the scene many years later... | |
| Beverly Haviland - 1997 - Страниц: 312
...little, that is again and again, a general sense of glory. The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression." "The triumph of [his] impulse" to resist the danger... | |
| Collin Meissner - 1999 - Страниц: 251
...works is a reflection of his own hoped-for reputation: "The glory meant ever so many things at once, not only beauty and art and supreme design, but history and fame and power, the world in fine raised to the richest and noblest expression" (Autobiography, 196). In opening himself to the... | |
| Fred Kaplan - 1999 - Страниц: 680
...through which he had first traveled as a child. The shining ceiling and walls had evoked for him in 1855 "not only beauty and art and supreme design, but history and fame and power," the glory of the first Napoleon who had decreed the Louvre into existence and who had made the brilliance... | |
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