Elements of Criticism, Volume 1 |
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Page 30
... external objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together : Cause and effect , contiguity in time or in place , high and low , prior and posterior , resemblance ...
... external objects , their in- herent properties are not more remarkable than the va- rious relations that connect them together : Cause and effect , contiguity in time or in place , high and low , prior and posterior , resemblance ...
Page 41
... external objects , those only of the eye and the ear are honoured with the name of passion or emotion ; the most pleasing feelings of taste , or touch , or smell , aspire not to that honour . From this observation appears the connexion ...
... external objects , those only of the eye and the ear are honoured with the name of passion or emotion ; the most pleasing feelings of taste , or touch , or smell , aspire not to that honour . From this observation appears the connexion ...
Page 44
... external objects , we are instantaneously conscious of pleasure or pain : a gently - flowing river , a smooth extended plain , a spreading oak , a towering hill , are objects of sight that raise pleasant emotions : a barren heath , a ...
... external objects , we are instantaneously conscious of pleasure or pain : a gently - flowing river , a smooth extended plain , a spreading oak , a towering hill , are objects of sight that raise pleasant emotions : a barren heath , a ...
Page 48
... external expres- sions of distress produce in the spectator a painful feel- ing , which being sometimes so slight as to pass away with- out any effect , is an emotion : but if the feeling be so strong as to prompt desire of affording ...
... external expres- sions of distress produce in the spectator a painful feel- ing , which being sometimes so slight as to pass away with- out any effect , is an emotion : but if the feeling be so strong as to prompt desire of affording ...
Page 56
... external objects , rational be- ings , especially of our own species , have the most power- ful influence in raising emotions and passions ; and , as speech is the most powerful of all the means by which one human being can display ...
... external objects , rational be- ings , especially of our own species , have the most power- ful influence in raising emotions and passions ; and , as speech is the most powerful of all the means by which one human being can display ...
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Common terms and phrases
action Æneid agreeable anger animal love appear appetite arts beauty burlesque Cæsar chapter circumstances colour congruity connexion degree dignity disagreeable distress doth effect elevation emotion raised emotions and passions emotions produced example expression external signs Falstaff feeling figure final cause give grandeur gratification habit hand hath Hence Henry IV Hudibras Iago ideal presence ideas Iliad impression impropriety inflamed influence Jane Shore jects Julius Cæsar kind less manner means mind motion Mourning Bride never nexion novelty objects of sight observation occasion opposite Othello painful emotion painful passion Paradise Lost perceive person pity pleasant emotion pleasure present produceth propensity proper proportion propriety qualities racter reason reflection relation relish remarkable resemblance respect Richard II ridicule riety risible scarce selfish sense sensible sentiments Shakspeare sion slight spectator sublime surprise taste termed things thou thought tion tone tural uniformity variety words
Popular passages
Page 133 - I cannot tell what you and other men Think of this life ; but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Page 134 - If Caesar carelessly but nod on him. He had a fever when he was in Spain ; And, when the fit was on him, I did mark How he did shake : 'tis true, this god did shake...
Page 178 - Why, man, he doth bestride the narrow world, Like a Colossus ; and we petty men Walk under his huge legs, and peep about To find ourselves dishonourable graves.
Page 75 - I had a friend that lov'd her, I should but teach him how to tell my story, And that would woo her.
Page 188 - To beg the voice and utterance of my tongue, A curse shall light upon the limbs of men ; Domestic fury and fierce civil strife Shall cumber all the parts of Italy...
Page 181 - Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Page 229 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast? Or wallow naked in December snow By thinking on fantastic summer's heat? O no, the apprehension of the good Gives but the greater feeling to the worse : Fell sorrow's tooth doth never rankle more Than when it bites, but lanceth not the sore.
Page 379 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 138 - Like Niobe, all tears, why she, even she — O God ! a beast that wants discourse of reason, Would have mourn'd longer — married with mine uncle, My father's brother, but no more like my father Than I to Hercules...
Page 75 - Took once a pliant hour, and found good means To draw from her a prayer of earnest heart, That I would all my pilgrimage dilate, Whereof by parcels...