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" For whilst, to the shame of slow-endeavouring art, Thy easy numbers flow; and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then thou, our fancy of itself bereaving, Dost make us marble with... "
The British Poets - Page 180
1866
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The Dublin university magazine

University magazine - 1849 - 836 pages
...are written, as plainly appears, not alone from the poems, but from the very titles given them — " ON THE UNIVERSITY CARRIER, who sickened in the Time of His Vacancy, being forbid to go to London on account of the Plague." The critics wonder that Milton should have allowed such things to appear...
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Cyclopaedia of English Literature: A Selection of the Choicest ..., Volume 1

Robert Chambers - 1849 - 708 pages
...been ю carefully analysed and illustrated, so eloquently expounded, or so universally admired. He ? { Milton m Shakipam, 1630. ' Since the beginning of the present century,' says a writer in the Edinburgh...
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Poetry for schools

Frederick Charles Cook - 1849 - 144 pages
...us marble with too much conceiving; Then thou, our fancy of itself bereaving, And, so sepulcher'd, in such pomp dost lie. That kings, for such a tomb, would wish to die. 1 V. the obsolete prefix of the participle. 2 Unvalued, invaluable. '•'' Delphic, oracuUr, full of...
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Notes and Queries

1896 - 664 pages
...hardly be added that the poem on Shakspeare is not strictly a sonnet. THOMAS BATNE. Helensburgh, NB Then thou, our fancy of itself bereaving, Dost make us marble with too much conceiving. Thomas Warton, in a note (qnoted in Sir Egerton Brydges's edition of Milton's ' Poems,' W™ on a similar...
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Poetical Works

John Milton - 1850 - 704 pages
...slow-endeavouring art, Thy easy numbers flow; and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with deep impression took; Then...being forbid to go to London by reason of the plague. HERE lies old Hobson ; Death hath broke his girt, And here, alas! hath laid him in the dirt; Or else,...
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The dramatic (poetical) works of William Shakspeare; illustr ..., Volume 8

William Shakespeare - 1850 - 484 pages
...whereas. 8 Sepulchred. Milton uses the word with the same accent, in his lines on Shakspeare : — " And so sepulchred in such pomp dost lie, That kings for such a tomb would wish to die." 3 Charactered. Here again is an accentuation different from the present, but which is common to all...
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Adams's pocket London guide book

Edward Litt L. Blanchard - 1851 - 324 pages
...slow-endeavouring art, Thy easy numbers flow, and that each heart Hath from the leaves of thy unvalued hook Those Delphic lines with deep impression took, Then...lie That kings, for such a tomb, would wish to die." SOTJTHET (d. 1843). A monument by Weekes, deservedly commemorative of this great critic, poet, and...
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The Works of Shakespeare: the Text Carefully Restored According to the First ...

William Shakespeare - 1851 - 500 pages
...slow-endeavouring art, Thy easy numbers flow ; and that each heart Hath, from the leaves of thy unvalued book, Those Delphic lines with' deep impression took ; Then...Dost make us marble with too much conceiving; And, so sepulcher'd, in such pomp dost lie, That kings for such a tomb would wish to die. On worthy MASTER...
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Poems, Essays and Opinions: First series Selections from August 7th, 1850 ...

Alfred Bate Richards - 1851 - 288 pages
...slow-endeavouring art, Thy easy numbers flow ; and that each heart Hath from the leaves of thy unvalued book Those Delphic lines with deep impression took ; Then...make us marble with too much conceiving ; And, so sepulchr'd in such pomp dost lie, That kings, for such a tomb, would wish to die ! " Wait till the...
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The Dramatic Works of William Shakspeare...: Embracing a Life of ..., Volume 8

William Shakespeare - 1851 - 458 pages
...whereas. 2 Sepulchred. Milton uses the word with the same accent, in his lines on Shakspcare : —r " And so sepulchred in such pomp dost lie, , That kings for such a tomb would wish to die." 3 Charactered. Here again is an accentuation different from the present, but which is common to all...
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