The Quarterly Review, Volume 120John Murray, 1866 |
From inside the book
Page 94
... whole time the charge was running out of the vessel , in order to prevent the remaining portion from entering the twyers . By the adoption of the moveable converting vessel this source of difficulty was completely got rid of , while the ...
... whole time the charge was running out of the vessel , in order to prevent the remaining portion from entering the twyers . By the adoption of the moveable converting vessel this source of difficulty was completely got rid of , while the ...
Page 98
... whole weight of the engine presses . The effect is to squeeze and crush the iron and roll it off in laminæ as any one may observe who examines a rail laid down on a line of heavy traffic that has borne a fair amount of work under the ...
... whole weight of the engine presses . The effect is to squeeze and crush the iron and roll it off in laminæ as any one may observe who examines a rail laid down on a line of heavy traffic that has borne a fair amount of work under the ...
Page 102
... whole subject was again discussed before the Commissioners ap- pointed by our own Parliament , in 1849 , to inquire into the appli- cation of iron to railway structures . Evidence was given cation 102 Iron and Steel .
... whole subject was again discussed before the Commissioners ap- pointed by our own Parliament , in 1849 , to inquire into the appli- cation of iron to railway structures . Evidence was given cation 102 Iron and Steel .
Page 111
... whole length . From the unusual number of the works he threw off , Northcote says that his profession was more lucrative at this period than when his charges . became higher . The celerity with which he turned out a picture was ...
... whole length . From the unusual number of the works he threw off , Northcote says that his profession was more lucrative at this period than when his charges . became higher . The celerity with which he turned out a picture was ...
Page 115
... whole nations would be afflicted by a perpetual spectacle of ugliness . The principle explains why Rembrandt was mean and clumsy in his forms , and why Rubens delighted in brawny men and fat women . Neither artist was devoid of ...
... whole nations would be afflicted by a perpetual spectacle of ugliness . The principle explains why Rembrandt was mean and clumsy in his forms , and why Rubens delighted in brawny men and fat women . Neither artist was devoid of ...
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